Vile vortices debunked
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READ MORE: Why “Hillary’s America” Could Make A Big Impact On The Electionĭ’Souza rewrites history, staging a series of still more hokey recreations (complete with some of the worst wig work in the history of the arts) and smothering them with his unctuous narration. But then he spots a portrait of Abraham Lincoln - wait a second, but Abraham Lincoln was a Republican! That’s when D’Souza slips under the velvet rope, rides the secret employee elevator to the basement, and finds the real truth about the Democratic Party. Please be assured that the following actually happens: D’Souza visits a well-staffed mock-up of the Democratic Party headquarters, swooping into their museum under the guise of a humble outsider who’s curious to learn more about his country’s history. He’s smart to anchor his argument in the story of his arrest, because his proven track record of Republican fanaticism is the only sincere detail of this documentary.
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It’s his usual shtick of piggybacking a baseless personal attack onto a pseudo history lesson, a feature-length dog whistle that’s blown at a pitch so high that only the most ignorant or paranoid of people are capable of hearing it. Of course, this is the same old dog and pony show upon which D’Souza has built his brand. They’ve blown this thing wide open, and D’Souza has seen the light: “I’ve been too focused on America as it ought to be,” he exclaims like a bizarro George Bailey who’s just discovered the joys of misconstruing history to serve his vile agenda. What if politicians are the biggest gang of all? You can practically feel Obama reaching for the panic button on the underside of his desk, tapping it repeatedly in the hope that help might come sooner. No argument there.īut then, an epiphany: A supremely #woke prisoner named “Roc” removes the veil from over D’Souza’s eyes after the two of them are witness to a gang fight (or the minimum-security equivalent). “I think I might be the stupidest criminal in the history of American jurisprudence,” he sighs. He stages a series of hokey scenes in which he befriends a number of his fellow inmates, and finds himself mocked for the ridiculousness of his crime.
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From there, the film immediately devolves into a delusional vanity project, as D’Souza re-stages his trial - and hilariously recreates his time in state custody in order to portray the experience as it happened in the narcissistic void where his thoughts are brought to term. No names were changed to protect the Democratic Party.” Facts, on the other hand, have been radically altered in order to harm them. “Hillary’s America” opens with a promise writ large across the screen: “This is a true story. But now, fresh off an eight month sentence in a minimum-security halfway house, D’Souza is all riled up and ready to reboot. His account was effectively blocked - in the worst of all indignities for such a fanatically self-described patriot, he has lost his right to vote.
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“It all began when the Obama administration tried to shut me up,” he says via the droning voiceover that he wraps around his movie like a suffocating plastic bag, effectively contextualizing his subsequent arguments as the grandiose delusions of a paranoid man who thinks that the leader of the free world has ever given him a single thought.